When countries are shaking under political turbulences, music can reflect our situation in an intimate way. In the middle of Brexit and the Windrush Scandal, the pianist Natalie Burch commissioned a work to the composer William Marsey – and he took the House of Commons Bill 110 (2013-14) as a text for an art song.
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Removal and Other Powers – Natalie Burch / William Marsey
When countries are shaking under political turbulences, music can reflect our situation in an intimate way. In the middle of Brexit and the Windrush Scandal, the pianist Natalie Burch commissioned a work to the composer William Marsey – and he took the House of Commons Bill 110 (2013-14) as a text for an art song.
Removal and Other Powers – Natalie Burch / William Marsey
When countries are shaking under political turbulences, music can reflect our situation in an intimate way. In the middle of Brexit and the Windrush Scandal, the pianist Natalie Burch commissioned a work to the composer William Marsey – and he took the House of Commons Bill 110 (2013-14) as a text for an art song.
Removal and Other Powers – Natalie Burch / William Marsey
When countries are shaking under political turbulences, music can reflect our situation in an intimate way. In the middle of Brexit and the Windrush Scandal, the pianist Natalie Burch commissioned a work to the composer William Marsey – and he took the House of Commons Bill 110 (2013-14) as a text for an art song.
Removal and Other Powers – Natalie Burch / William Marsey
When countries are shaking under political turbulences, music can reflect our situation in an intimate way. In the middle of Brexit and the Windrush Scandal, the pianist Natalie Burch commissioned a work to the composer William Marsey – and he took the House of Commons Bill 110 (2013-14) as a text for an art song.
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